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Anthony McCann |
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Anthony McCann's Music and Copyright Ph.D. dissertation [http://www.beyondthecommons.com].
1964. "Conference
on Character and State of Studies in Folklore." Journal of American Folklore 59(234):524-527.
1974. "P.A.
Report." The Bookseller
(March 30):1762-1763. .
1985. "Regional
Committee of Experts on Means of Implementation in the Arab States of Model
Provisions on Intellectual Aspects of Protection of Expressions of
Folklore." Copyright Bulletin
XIX(2):15-21.
1985. "Group of
Experts on the International Protection of Expressions of Folklore by
Intellectual Property." Copyright
Bulletin XIX(2):22-33.
1985. "Text of
the Draft Treaty for the Protection of Expressions of Folklore Against
Illicit Exploitation and Other Prejudicial Actions." Copyright Bulletin XIX(2):34-38.
1985.
"Second Committee of Governmental Experts on the Safeguarding of
Folklore." Copyright Bulletin
XIX(2):39-49.
1985. "National
Seminar on Copyright (Brazzaville, Congo, 4-8 March 1985)." Copyright
Bulletin XIX(2):50.
1990."The Prince & Paupers: Who gets how much out of
what in the performing rights lottery of musical life?"
The Music Magazine
1:50.
1991. Copyright
and Neighbouring Rights in the European Community.
Strasbourg: Commission of the European Communities.
1993. The
Mini-encyclopedia of Public Domain Songs. New York: BZ/Rights Stuff.
J. Attali. 1985. Noise:
The Political Economy of Music. Minneapolis
and London: University of Minnesota Press.
J. L. Avery. 1991. "The Struggle Over Performing Rights to Music: BMI and ASCAP vs.
Cable Television." Comm/Ent 14(1):47.
L. Bannon. 1996. "Birds sing, but campers can't - unless they pay up." Wall Street Journal, August 21 http://www.law.umkc.edu/faculty/projects/ftrials/communications/ASCAP.html
D. Baskerville. 1995. Music
Business Handbook and Career guide. Thousand Oaks: Sage Publications.
L. E. Berk. 1970.
Legal Protection for the
Creative Musician. Boston: Berklee Press.
S. M. Besen and S. N. Kirby. 1989. "Compensating
Creators of Intellectual Property: Collectives That Collect." Santa
Monica: The RAND Corporation.
K. Blaukopf. 1990. "Legal Policies for the
Safeguarding of Traditional Music: Are they Utopian?" The World of Music XXXII(1):125-133.
G. D. Boos. 1977. "The Wreck of the Old
"97": a Study in Copyright Protection of Folksongs for Lawyers,
Folklorists and Songwriters." Seattle
Folklore Society Journal 9(1):3-18.
M. Breen. 1993. "Making it Visible: The 1990 Public Inquiry into Australian Music Copyrights." In Music and Copyright. S. Frith, ed. Pp. 99-124. Edinburgh: Edinburgh University Press.
M. Buitenhuis. 1997. "Copyright, Copywrong." Sing Out! 42(2):3-4.
S. Carter. 1960. "A Reel of Recording Tape." Sing Out! 10(4):36.
R. Caves. 2000. Economics of the Creative Industries. Cambridge: Harvard University Press.
M. Chanan. 1994. Musica Practica: The Social Practice of Western Music from Gregorian Chant to Postmodernism. London: Verso.
J. Cohen and M. Seeger, eds. 1964. New Lost City Ramblers Song Book. New York: Oak Publications.
J. Collins. 1993. "The Problem of Oral Copyright: The
Case of Ghana." In Music and
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Edinburgh: Edinburgh University Press.
J. H. Collins. 1997. "When in Doubt, Do Without: Licensing Public Performances by Nonprofit Camping or Volunteer Service Organizations under Federal Copyright Law." Washington University Law Quarterly 75(3):1277ff. http://law.wustl.edu/WULQ/75-3/753-5.html
O. W. Coon. 1971. "Some Problems With Musical
Public-Domain Materials under United States Copyright Law as Illustrated
Mainly by the Recent Folk-Song Revival." In
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Competition) Sponsored by the American Society of Composers Authors and
Publishers. 189-218. New
York: Columbia University Press.
M. Cooney. 1995. "On "Author's
Royalties"."The Friendship
Letter, p. 5.
J. Coover. 1985.
Music Publishing, Copyright and
Piracy in Victorian England. London
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D. Crawford. 1977. "Gospel Songs in Court: From Rural
Music to Rural Industry." Journal
of Popular Culture 11(3):551-567.
C. Cutler. 1996. "Plunderphonics." In
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and F. Wei-han Ho, eds. 67-85. New York: Autonomedia.
G. Davies and M. E. Hung. 1993. Music and Video Private Copying: An International Survey of the Problem
and the Law. London: Sweet
and Maxwell.
C. Ehrlich. 1989. Harmonious Alliance: A History of the Performing Right Society. Oxford: Oxford University Press.
C. Elliker. 1999. "Toward a definition of sheet
music." Notes
55(4):835-860. http://resources.blackboard.com/scholar/sa/11/research/research_frame.jsp.
F. Fabbri. 1993. "Copyright: The Dark Side of the
Music Business." In Music and
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Edinburgh: Edinburgh University Press.
S. Feld. 1996. "pygmy POP: A Genealogy of Schizophonic Mimesis." International Yearbook of Traditional Music XXVIII:1-35.
M. V. Felton. 1978. "The Economics of the Creative
Arts: The Case of the Composer." Journal
of Cultural Economics 2(1):41-62.
.
S. Frith. 1987. "Copyright and the Music
Business." Popular Music
7(1):57-75.
---. 1993. "Music and Morality." In
Music and Copyright. S. Frith, ed. 1-21. Edinburgh Law and Society
Series. Edinburgh: Edinburgh University Press.
S. Frith, ed. 1993. Music
and Copyright.. Edinburgh Law and Society Series. Edinburgh: Edinburgh
University Press.
J. M. Gaines. 1991. Contested
Culture: The Image, The Voice, and The Law. Chapel Hill: The University of North Carolina Press.
D. Glaister. 1998. "Pick 'n' mix CDs go online at cut-prices in Levi's outlets." Dublin: The Irish Times, June 19. P. 11.
J. Goodell. 1999. "World War MP3." Rolling Stone, July 8-22. Pp. 43-46.
C. Gooding. 1961. "Concerning Copyrights." Sing Out! 11(1):24.
A. Goodwin and J. Gore. 1996. "World Beat and the Cultural Imperialism Debate." In Sounding Off!: Music as Subversion/Resistance/Revolution. R. Sakolsky and F. Wei-han Ho, eds. Pp. 121-131. New York: Autonomedia.
B. Green. 1998. "Haven't I Heard This Song Before?: Subconscious Plagiarism in Pop Music and the Infringement of Copyright - Towards a Partial Defense of Cryptomnesia." Intellectual Property Journal 13(November):53-81.
K. J. Greene. 1999. "Copyright, Culture and Black
Music: A Legacy of Unequal Protection." Hastings Communications and Entertainment Law Journal (COMM/ENT)
21(2):339-392.
N. Guy. 2002. "Trafficking in Taiwan Aboriginal Voices." In Handle with Care: Ownership and Control of Ethnographic Materials. S. R. Jaarsma, ed. Pp. 195-210. Pittsburgh: University of Pittsburgh Press.
J. L. Hall. 1995.
"Blues and the Public Domain - No More Dues to Pay?" Journal of the Copyright Society of the USA
42(2):215-226.
M. Halloran, ed. 1996. The Musician's Business and Legal Guide. Upper Saddle River, New Jersey: Prentice-Hall/Simon and
Schuster.
S. Haun. 1999. "Musical Works, Performance, and the Internet: A Discordance of Old and New Copyright Rules." The Richmond Journal of Law and Technology 4(1). http://law.richmond.edu/jolt/v6i1/haun.html
H. C. Jehoram. 1991. "The Nature of Neighboring
Rights of Performing Artists, Phonogram Producers and Broadcasting
Organizations." Columbia-VLA
Journal of Law and the Arts 15(1):75-92.
S. Jones. 1992. Rock
Formation: Music, Technology, and Mass Communication.
Newbury Park, California: Sage Publications.
M. Karpeles. 1963. "Communication on Copyright -
Statement on Copyright in Folk Music." Western
Folklore 22(3).
C. Keil and S. Feld. 1994. Music Grooves: Essays and Dialogues. Chicago: University of Chicago Press.
K. Kimiecik. 1992. "Heritage, Folklore, Cultural
Conservation, & Policy or What
Ever Happened to Child Ballads? Part I." New York Folk Lore Newsletter. 6, 10.
---. 1993. "UNESCO & the Global
Conservation Culture or, I Found the
Child Ballads! Part II." New
York Folk Lore Newsletter. 6-7.
B. F. Klarman. 1965. "Copyright and Folk Music - A
Perplexing Problem." Bulletin of
the Copyright Society of U.S.A. (NY).
277-292.
B. Korman and I. F. Koenigsberg. 1986. "Performing
Rights in Music and Performing Rights Societies." Journal of the Copyright Society of the USA
33(4):332-367.
D. Laing. 1988. "On Simon Frith's "Copyright and
the Music Business"." Popular
Music 7(3):337-338.
---. 1993. "Copyright and the International
Music Industry." In Music and Copyright. S. Frith, ed. Pp. 22-39. Edinburgh: Edinburgh University Press.
N. Lebrecht. 1996. When
the Music Stops ... : Managers, Maestros and the Corporate Murder of
Classical Music. London: Simon and Schuster.
S. Levy. 2000. "Kids vs. Suits: Who Should Own the
Music on the Web? The War Over Napster (The Noisy War Over Napster)." Newsweek. 46-53. http://www.newsweek.com.
H. L. MacQueen and A. Peacock. 1995. "Implementing Performing Rights." Journal of Cultural Economics 19(2):157-175.
K. Malm. 1981. ""Royalties" from the music
business support the Swedish folk tradition." Music in Sweden (2).
---. 1998. "Copyright and the Protection of
Intellectual Property in Traditional Music: A Summary of International
Efforts." Music Media
Multiculture - Today and Tomorrow Report
No. 3:24-29.
C. C. Mann. 1998. "Who Will Own Your Next Good
Idea?" The Atlantic Monthly
282(3):57-82. http://www.theatlantic.com/issues/98sep/copy.htm.
P. Manuel. 1991. "The cassette industry and popular
music in North India." Popular
Music 10(2):189 - 204.
A. McCann. 1996. "Crosaire airgid don cheol." Dublin: The Irish Times, April 23. Pp. 6.
---. 1999. "Addressing the Social: Irish Traditional Music and the Copyright
Debate." http://www.ul.ie/~iwmc/research/anthonymccann/Tucson.html
---. 2000. "The Giving: Copyright, Conflict and Cultural Crisis in Irish
Traditional Music." The Common Property Resource Digest (51):7-8.
http://www.indiana.edu/~iascp/E-CPR/cpr51.pdf
---. 2000a. "Traditional Transmission as Cultural Commons: The
Conflicts and Crisis of Commodification." http://dlc.dlib.indiana.edu/documents/dir0/00/00/03/02/
---. 2001. "All That is Not Given is Lost: Irish Traditional Music,
Copyright, and Common Property." Ethnomusicology 45(1):89-106.
D. McGraith. 1990. "Anti-copyright and Cassette
Culture." In Sound by Artists.
D. Lander and M. Lexier, eds. 73-87. Ontario, Canada: The Coach House Press
and Walter Phillips Gallery.
A. Menius. 1994. "At The Microphone: Performing
Rights and the Folk Community in the USA." Folk Alliance Newsletter (Winter):24-25.
.
S. Mills. 1996. "Indigenous Music and the Law: An
Analysis of National and International Legislation." Yearbook for Traditional Music . 57-86.
T. Mitsui. 1993. "Copyright and Music in Japan: a
forced grafting and its consequences." In Music and Copyright. S. Frith, eds. 125-145. Edinburgh Law and
Society Series. Edinburgh: Edinburgh University Press.
M. Moss. 1997. "Who Owns The Songs The Whole World Sings?" Sing Out! 42(1):2.
Negativland. 1996. "Fair use." In
Sounding Off!: Music as Subversion/Resistance/Revolution. R. Sakolsky
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M. Niedzielska. 1980. "The Intellectual Property
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J. Oswald. 1996. "Creatigality." In
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A. Peacock and R. Weir. 1975. The Composer in the Marketplace. London: Faber Music.
R. Peer. 1984. "The Mechanical Right: A Pragmatic
Perspective." Journal of the
Copyright Society of the USA 31(4):409-426.
S. Perkins. 1996. "Plagiarism¨: An Interview with
the Tape-beatles." In Sounding
Off!: Music as Subversion/Resistance/Revolution. R. Sakolsky and F.
Wei-han Ho, eds. 217-224. New York: Autonomedia.
R. Poe. 1997. "Parodies, Licensing and Copyrights, Oh
My!" Sing Out!
42(1):92-93.
H. Reid. 1984. "On Copyrights, Music, &
Money." http://www.woodpecker.com/writing/essays/copyrights-money.html.
---. 1993. "ASCAP & BMI - Protectors of
Artists or Shadowy Thieves?" http://www.woodpecker.com/writing/essays/royalty-politics.html.
---. 1993. "About the Public Domain (P.D.)."
http://www.woodpecker.com/writing/essays/publicdomain.html.
D. Richards. 1990. "The Copyright Law and the
Musician." http://wiretap.area.com/Gopher/Library/Article/Rights/copyrigh.mus.
K. Ringle. 1996. "ASCAP Changes Its Tune; Never Intended to Collect Fees for Scouts' Campfire Songs, Group Says." http://www.law.umkc.edu/faculty/projects/ftrials/communications/ASCAP.html
L. Rohter. 1977. "Copyrights: Blues on the Bottom
Line, or, Hey, is that Me up there on the Jukebox?" Triad 4(April):20-21.
J. Ryan. 1985. The
Production of Culture in the Music Industry - the ASCAP-BMI Controversy.
Lanham, Maryland: University Press of America.
R. Sakolsky and F. Wei-han Ho, eds. 1996. Sounding
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R. Samudrala. 1998. "The Free Music Philosophy."
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I. Scott. 1997. "Hand to Mouth." Folk
Roots 19(5(November)):23.
M. Scherzinger. 1999. "Music, Spirit Possession and
Copyright Law: Cross-cultural Comparisons and Strategic Speculations." Yearbook
for Traditional Music. 31:102-125
A. Seeger. 1992. "Ethnomusicology and Music Law." Ethnomusicology 36(3):345-359.
---. 1996. "Ethnomusicologists, Archives, Professional Organizations, and
the Shifting Ethics of Intellectual Property." Yearbook for Traditional Music 87-105.
---. 1997. "Traditional Music in Community Life: Aspects of Performance, Recordings and
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P. Seeger. 1972. The Incompleat Folksinger. New York: Simon and Schuster.
---. 1997. "Appleseeds." Sing
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J. L. Shanahan. 1978. "The Consumption of Music: Integrating Aesthetics and Economics." Journal of Cultural Economics 2(2):13-26.
H. Shields. 1992. Narrative
Singing in Ireland : Lays, Ballads, Come-all-yes and Other Songs.
Dublin: Irish Academic Press.
S. M. Stewart and H. Sandison. 1993. International Copyright and Neighbouring Rights. London:
Butterworths.
P. Théberge. 1993. "Technology, Economy and Copyright Reform in
Canada." In Music and Copyright. S. Frith, ed. Pp. 40-66. Edinburgh: Edinburgh University Press.
---. 1997. Any
Sound You Can Imagine: Making Music/Consuming Technology.
Hanover: Wesleyan University Press.
J. Thilman, B. Hartford, B. Haslam and D. Joyce. 1993.
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D. Thomas. 1967. Copyright
and the Creative Artist: The Protection of Intellectual Property with
Special Reference to Music. London:
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R. Towse. 2001. Creativity, Incentive and Reward: an economic analysis of copyright and culture in the Information Age. Cheltenham: Edward Elgar Publishing.
R. Towse, ed. 2000. Copyright in the Cultural Industries. Cheltenham: Edward Elgar Publishing.
S. Turk. 1992. "Copyrights and Jazz Improvisation:
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University of Baltimore Intellectual Property Law Journal
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M. Tyrell. 1992. Performing Rights - The Price of Pleasure. Dublin: Irish Music Rights Organisation.
L. Ulrich. 2000. "It's Our Property." Newsweek,
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S. Vaidhyanathan. 2001. Copyrights and Copywrongs: The Rise of Intellectual Property and How It Threatens Creativity. New York: New York University Press.
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W. Wadhams. 1990. Sound Advice: The Musician's Guide to the Record Industry. New York: Schirmer Books.
T. Wales. 1973. "Copyright and the EFDSS (Part
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R. Wallis and K. Malm. 1984. Big Sounds from Small Peoples: The Music Industry in Small Countries.
London: Constable.
A. L. White. 1987. "Popular Music and the Law - Who
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Routledge.
D. K. Wilgus. 1961. "All Is Not Nonsense and Hard
Cash." Sing Out!
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WIPO. 1997. "Collective Administration of Copyright
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B. Ziff and P. V. Rao, eds. 1997. Borrowed Power: Essays on Cultural Appropriation. New Brunswick, New Jersey: Rutgers University Press.
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